One of the questions most often discussed among researchers and people who are simply interested in the pyramids is how they were built. Many hypotheses have been advanced. Some of them are openly "over the top"; others contradictory, while others still suffer from many inadequacies, the most common of which is insufficient knowledge in the sphere of architecture and constructional technology.

Egyptologists stubbornly insist on the primitiveness of the pyramid-builders and of the technologies that they employed, ignoring facts that indicate the outstanding achievements of the Ancients that are totally incompatible with the concept of "primitive". Their opponents put forward serious, professionally-grounded arguments in favour of highly technological building methods, at least in the case of the Giza pyramids. A third group insist on the practical interference of extraterrestrial intelligence with super technology including teleportation of the gigantic blocks used to build the pyramids.

As you have seen from the previous chapters, extraterrestrial intelligence was indeed involved, but the aliens provided no more than ideas and principles that could be used to accomplish the prospects envisaged by human beings.

By analysing various discoveries, facts and hypotheses humanity will arrive at the only correct solution to the question of how the pyramids were built. Here we shall make what contribution we can to that process, touching on certain aspects of the construction of the pyramids. That will make possible one more step towards the answer.

Let us consider one interesting technique that was employed by the Ancients when constructing the pyramids, in order to obtain a controllable piezoelectric effect.

To make the pyramids produce piezo electricity they built them out of sandstone, limestone, granite and other materials containing quartz.

As far back as the early 1940s the American physicist Thomas Townsend Brown established that (with the passage through them of cosmic radiation) many types of granite become electrically polarized, in other words they behave like galvanic cells or batteries. The potential difference can reach 700 millivolts, its size changing with the sidereal solar cycles. By 1970 Brown had come to the conclusion that high-frequency gravitational radiation constantly generated by astronomical objects in outer space and captured by granite rocks, is also transformed into DC electricity.


It is known that quartz and quartz-containing materials used in the construction produce an electric impulse when compressed, but the pressure applied to a quartz crystal needs to be very considerable. The electrical impulse, moreover, is produced only at the moment of compression, after which it stops. In order to obtain a lasting effect, the quartz would have to be constantly compressed and released. But the pyramid is a stationary structure in which the quartz is in a stable state. So as to obtain the desired effect the ancient builders employed a brilliantly simple solution. They laid specially prepared foundation blocks or chose the bedrock for the foundation of the pyramid, then they worked that foundation to give it a hollow, shallow inverted pyramid shape.
One of the questions most often discussed among researchers and people who are simply interested in the pyramids is how they were built. Many hypotheses have been advanced. Some of them are openly "over the top"; others contradictory, while others still suffer from many inadequacies, the most common of which is insufficient knowledge in the sphere of architecture and constructional technology.

Egyptologists stubbornly insist on the primitiveness of the pyramid-builders and of the technologies that they employed, ignoring facts that indicate the outstanding achievements of the Ancients that are totally incompatible with the concept of "primitive". Their opponents put forward serious, professionally-grounded arguments in favour of highly technological building methods, at least in the case of the Giza pyramids. A third group insist on the practical interference of extraterrestrial intelligence with super technology including teleportation of the gigantic blocks used to build the pyramids.

As you have seen from the previous chapters, extraterrestrial intelligence was indeed involved, but the aliens provided no more than ideas and principles that could be used to accomplish the prospects envisaged by human beings.

By analysing various discoveries, facts and hypotheses humanity will arrive at the only correct solution to the question of how the pyramids were built. Here we shall make what contribution we can to that process, touching on certain aspects of the construction of the pyramids. That will make possible one more step towards the answer.

Let us consider one interesting technique that was employed by the Ancients when constructing the pyramids, in order to obtain a controllable piezoelectric effect.

To make the pyramids produce piezo electricity they built them out of sandstone, limestone, granite and other materials containing quartz.

As far back as the early 1940s the American physicist Thomas Townsend Brown established that (with the passage through them of cosmic radiation) many types of granite become electrically polarized, in other words they behave like galvanic cells or batteries. The potential difference can reach 700 millivolts, its size changing with the sidereal solar cycles. By 1970 Brown had come to the conclusion that high-frequency gravitational radiation constantly generated by astronomical objects in outer space and captured by granite rocks, is also transformed into DC electricity.


It is known that quartz and quartz-containing materials used in the construction produce an electric impulse when compressed, but the pressure applied to a quartz crystal needs to be very considerable. The electrical impulse, moreover, is produced only at the moment of compression, after which it stops. In order to obtain a lasting effect, the quartz would have to be constantly compressed and released. But the pyramid is a stationary structure in which the quartz is in a stable state. So as to obtain the desired effect the ancient builders employed a brilliantly simple solution. They laid specially prepared foundation blocks or chose the bedrock for the foundation of the pyramid, then they worked that foundation to give it a hollow, shallow inverted pyramid shape.

The corner of the foundation of the "bent pyramid" of Snefru (Snof-Ra) at Dahshur. This photograph clearly shows the foundation blocks on the upper surface of which the perimeter line of the pyramid's base is marked and the angle of the sloping foundation running under the pyramid is noticeable.



















The corner of the foundation of the "bent pyramid" of Snefru (Snof-Ra) at Dahshur. This photograph clearly shows the foundation blocks on the upper surface of which the perimeter line of the pyramid's base is marked and the angle of the sloping foundation running under the pyramid is noticeable
This design of foundation, sloping down towards the centre, meant that any stone block placed on the surface began to creep under its own weight towards the middle.
This design of foundation, sloping down towards the centre, meant that any stone block placed on the surface began to creep under its own weight towards the middle.
The sloping foundation.
Thus, as construction proceeded, the weight of millions of blocks created a tremendous force directed from the edges of the pyramid towards the centre.
ТThus, as construction proceeded, the weight of millions of blocks created a tremendous force directed from the edges of the pyramid towards the centre.
The sloping foundation.
Even slight earth tremors had the effect of making the pyramid even stronger and more monolithic. If our own buildings were constructed in this way, they would stand up to earthquakes considerably better, becoming more robust instead of falling apart.
Even slight earth tremors had the effect of making the pyramid even stronger and more monolithic. If our own buildings were constructed in this way, they would stand up to earthquakes considerably better, becoming more robust instead of falling apart.
ВIn the dismantled area by the entrance on the north face of the "Bent Pyramid" of Snefru (Snof-Ra) at Dashur we can clearly see that the blocks were laid tilted at a slight angle towards the centre of the pyramid.
Consider the pyramid of Khufu with its total weight of around six and a half million tonnes and you can imagine the colossal pressure on the quartz-bearing rocks used in its construction.
Consider the pyramid of Khufu with its total weight of around six and a half million tonnes and you can imagine the colossal pressure on the quartz-bearing rocks used in its construction.
Principal configuration of the pyramid
The crystalline structure of the granite and quartz-bearing blocks forming the pyramid is tensed like a string, but that string is at rest. In order to "pluck" it and make the pyramid "sound" the priest or pharaoh entered the pyramid and went down a sloping gallery to an underground chamber located. Then he stood at the centre of that chamber and used his voice to produce a sound at the frequency of, say, C# from the chord of F# major – a note that harmonizes with the natural vibrational frequency of our planet.

The next moment the whole body of the pyramid began vibrating, generating a piezoelectric impulse. Amazingly the pyramid was calculated, built and tuned with such precision that even a quiet sound made the pyramid give off a deep, prolonged note – it began to sound! At that point an energy cocoon arose around the edifice, amplifying the oscillations of the Earth's eigenfrequency. The priest below the pyramid found himself in a flow of energy that had a profound healing influence and slowed the course of internal biological time.

If the priest or pharaoh superimposed on the pyramid impulse his own thought-picture, some particular mental dispatch, the next moment, irrespective of the distance to the object open which the priest or pharaoh concentrated his attention, contact was established between them. This was the way that the priests of island Atlantis communicated with the Neferu and the priests of the Atlantean colonies in Central America with their fellows in the Mediterranean basin.

Without going into the technology of distant effects achieved with the aid of the pyramid, we can add that the so-called "ventilation shafts" in the pyramid of Khufu were also used as sort of "whistles". They began to sound when the crystals installed at the outer ends of the shafts were removed and the wind blew across the surface of the pyramid, again causing vibrations in the body of the pyramid and the generation of an energy cocoon around it.

This use of the "ventilation shafts" became especially obvious after Rudolf Gantenbrink actually installed ventilation equipment in one of the passages. Now when the electric motor of the extraction fan is switched on, anyone who wants can hear how the Great Pyramid "sang" thousands of years ago.
The crystalline structure of the granite and quartz-bearing blocks forming the pyramid is tensed like a string, but that string is at rest. In order to "pluck" it and make the pyramid "sound" the priest or pharaoh entered the pyramid and went down a sloping gallery to an underground chamber located. Then he stood at the centre of that chamber and used his voice to produce a sound at the frequency of, say, C# from the chord of F# major – a note that harmonizes with the natural vibrational frequency of our planet.

The next moment the whole body of the pyramid began vibrating, generating a piezoelectric impulse. Amazingly the pyramid was calculated, built and tuned with such precision that even a quiet sound made the pyramid give off a deep, prolonged note – it began to sound! At that point an energy cocoon arose around the edifice, amplifying the oscillations of the Earth's eigenfrequency. The priest below the pyramid found himself in a flow of energy that had a profound healing influence and slowed the course of internal biological time.

If the priest or pharaoh superimposed on the pyramid impulse his own thought-picture, some particular mental dispatch, the next moment, irrespective of the distance to the object open which the priest or pharaoh concentrated his attention, contact was established between them. This was the way that the priests of island Atlantis communicated with the Neferu and the priests of the Atlantean colonies in Central America with their fellows in the Mediterranean basin.

Without going into the technology of distant effects achieved with the aid of the pyramid, we can add that the so-called "ventilation shafts" in the pyramid of Khufu were also used as sort of "whistles". They began to sound when the crystals installed at the outer ends of the shafts were removed and the wind blew across the surface of the pyramid, again causing vibrations in the body of the pyramid and the generation of an energy cocoon around it.

This use of the "ventilation shafts" became especially obvious after Rudolf Gantenbrink actually installed ventilation equipment in one of the passages. Now when the electric motor of the extraction fan is switched on, anyone who wants can hear how the Great Pyramid "sang" thousands of years ago.




1. 1. Folklore and oral tradition in Arab countries asserts that music and sounds were used in the construction of most ancient unique edifices.

After the completion of some room an instrument (tuning device) capable of producing particular notes was brought in. From the quality of the sound (the acoustics, the depth and duration of the sound) it was possible to draw conclusions about the resonance properties of the room, in other words about the product of the construction work. If the result was unsatisfactory further work would be carried out until the room began to "ring".

In this context it is worth mentioning Doctor Joseph Martin Shore's expedition to the Giza plateau and the Valley of the Kings.

Shore's experiments in the large "burial chamber" of the Pyramid of Cheops produced sensational results. They showed that the pyramid was perhaps constructed as a generator or amplifier of certain sonic frequencies. Shore's group managed to identify four main frequencies (notes) amplified by the edifice and used for its material construction. The notes form the chord of F sharp major, which, according to some Ancient Egyptian texts, harmonises with our planet's own vibratory frequency.


ENTERPRISE MISSION (material published in NLO, Issue 1, 1998, p. 11).
1.



1. 1. Folklore and oral tradition in Arab countries asserts that music and sounds were used in the construction of most ancient unique edifices.

After the completion of some room an instrument (tuning device) capable of producing particular notes was brought in. From the quality of the sound (the acoustics, the depth and duration of the sound) it was possible to draw conclusions about the resonance properties of the room, in other words about the product of the construction work. If the result was unsatisfactory further work would be carried out until the room began to "ring".

In this context it is worth mentioning Doctor Joseph Martin Shore's expedition to the Giza plateau and the Valley of the Kings.

Shore's experiments in the large "burial chamber" of the Pyramid of Cheops produced sensational results. They showed that the pyramid was perhaps constructed as a generator or amplifier of certain sonic frequencies. Shore's group managed to identify four main frequencies (notes) amplified by the edifice and used for its material construction. The notes form the chord of F sharp major, which, according to some Ancient Egyptian texts, harmonises with our planet's own vibratory frequency.


ENTERPRISE MISSION (material published in NLO, Issue 1, 1998, p. 11).
2. Interestingly it is in Atlantis and Ancient Egypt that the Christian idea of the bell with its beneficial spiritual effect on people has its origins. In simplified form this idea is reflected in the technologies of sound-therapy employed in various countries nowadays, in which sound waves are played to a person through headphones or a sound system in specially equipped rooms Contemporary sound-therapy is practically ineffective because it seeks to influence a person with sonic vibrations without involving the energy flow of the Earth as the Ancients did, separating and amplifying with the aid of the pyramid the flow in a special range of frequencies attuned to a person's energy through the proportions of the Golden Section. Sound-therapy also lacks the factor of deep interaction with the surrounding world through the piezoelectric effect generated by the body of the pyramid that subtly interacts with the human energy structure and the maternal organism of the Earth.
2. Interestingly it is in Atlantis and Ancient Egypt that the Christian idea of the bell with its beneficial spiritual effect on people has its origins. In simplified form this idea is reflected in the technologies of sound-therapy employed in various countries nowadays, in which sound waves are played to a person through headphones or a sound system in specially equipped rooms Contemporary sound-therapy is practically ineffective because it seeks to influence a person with sonic vibrations without involving the energy flow of the Earth as the Ancients did, separating and amplifying with the aid of the pyramid the flow in a special range of frequencies attuned to a person's energy through the proportions of the Golden Section. Sound-therapy also lacks the factor of deep interaction with the surrounding world through the piezoelectric effect generated by the body of the pyramid that subtly interacts with the human energy structure and the maternal organism of the Earth.
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